CHEW YI

Chew Yi, 19 years old from Malaysia, has been playing piano and harp since the age of 3. Focusing on the harp, she enjoys joining competitions and masterclasses, the most recent one being Academie Musicale de Villecroze with Ms Isabelle Moretti. She actively performs with ensembles and local orchestras, including West Wind, Musician’s Initiative Orchestra, Macpherson Philharmonic Orchestra, and others. In addition to her orchestral and ensemble work, Chew Yi is experienced in performing at private events such as weddings and corporate functions, and collaborate closely with clients to ensure a personalised musical experience that matches the atmosphere of each occasion.

As a composer, Chew Yi has developed a unique musical voice that blends classical traditions with contemporary influences, often drawing inspiration from Japanese wind band and video game music. She is particularly passionate about composing for large ensembles, crafting expansive soundscapes that challenge and captivate both performers and audiences. Her talent was recognised when she received the Best Composition award at the RH Prestige Award 2025 with”The Postmouse who rode a Butterfly”, a chamber program music composed for 2 Harps, flute, violin and cello that explores the magical journey of the mouse that delivers letter.

In addition to her work as a composer, Chew Yi is dedicated to teaching, with a philosophy centered on sparking her students’ curiosity and nurturing a genuine love for music. Rather than focusing primarily on music examinations, she strives to create engaging learning experiences that inspire a lifelong appreciation for the art form. Her teaching practice welcomes students as young as four years old through to adult learners.

Chew Yi is currently pursuing her diploma in Nanyang Academy of Fine Arts as a harp major, under Ms Katryna Tan in Singapore.



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Recent Compositions

Piko Piko

Film Score for Orchestra


The name “Piko Piko” has no literal meaning. It was the first thing that came to my mind when I thought about my hometown, Penang Malaysia. The piece is like a childhood memory, bright, rhythmic and impossible to explain. When I hear that name I hear the sounds that shaped me, the voices in the market, the hum of traffic,
the laughter at home.


This Piece is dedicated to my little brother, Zhou Yuan, whose energy and presence fill many of these musical gestures. A theme repeats throughout, something that came naturally as I composed, and only later I realised it emulates the ringtone “Over the Horizon.” Perhaps it’s coincidence, or perhaps it’s the sound of everyday
life weaving its way into memory.
Piko Piko is a reflection of warmth, distance and the accidental memories that stay with us throughout life.

The Postmouse who rode a butterfly

For 2 Harps, flute, violin and cello.

I was inspired by a story that my friend wrote and we made it into a poem for the purpose of this composition. With the context of this poem, I would hope that the audience would have a nice listening experience as they follow along the story with their imagination and picture what it looks like as they listen, instead of evoking an emotion out of the audience which is
what I usually do.


The instrumentation is 2 Harps with a flute, violin and cello. Depicted in the poem are these 4 characters, the Postmouse, Red Panda. Cat and Otters. Each of these characters has their own specific ‘theme’ to follow.

I composed the piece with the thought that harp parts can not, and should not be replaced with piano or any other instruments and to also show the versatility of the instrument using
various techniques such as PDLT, Xylo technique, the tapping of the sound board, slamming of the string and of course the famous glissandos and harmonics. The music for these harp parts are not easy and require extreme precision as it was written this way to
showcase the versatility of the harp

Amber

For Solo Marimba

Amber is an echo of preservation of memory, of love, and of moments that no longer live but are kept suspended in time. It reflects the struggle of trying to keep something that
can no longer stay. Like how amber preserves what once was alive, this piece captures the feeling of holding
on to something that has already ended. But at least, you tried.


This piece is dedicated to Keyon Toh.

Chinese New Year

N/A

This piece is not meant to be played. As the name suggests, it is how I see Chinese New Year.

Explore additional works featured on social media.

A close-up photographic view of high-quality harp strings, each made of glossy gut and shining wire, perfectly aligned and tensioned against a matte-finish maple soundboard. The camera angle follows the strings’ vertical ascent from the soundboard up toward the neck, creating a sense of depth and structure. Overhead soft box lighting gently illuminates the strings, emphasizing their textures with delicate highlights while casting fine, linear shadows on the wood. The overall composition is sleek and linear, employing a minimalist, professional look with sharply rendered details, suitable for a clean, corporate musician site.

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